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On Thursday, Megan Fox was in the crowd for her fiancé Machine Gun Kelly’s show in Sao Paolo, Brazil. The actress recently went red with a bright bob that has been hidden under wigs as she made appearances for various Halloween parties last weekend. For the show, she had her hair down and wore an oversized tan blazer and a pair of red framed sunglasses. She wore dark pink lipstick and had a long red manicure to match her hair.
The couple were photographed arriving at the Guarulhos airport in coordinated travel outfits. The Transformers star was in a pink tracksuit and white sneakers, while MGK wore a pale pink hoodie and darker sweatpants, also with white sneakers.
Fox and Kelly have been engaged for two years, but went through a rough patch earlier this year that allegedly related to cheating. They have since been working on their relationship, according to a source speaking with Entertainment Tonight.
“Megan and MGK are doing well,” said the insider. “They have had their ups and downs, like any other couple, but right now, things are good. They are still taking steps to better their relationship and still have the goal of moving ahead with getting married.”
Earlier in August, another source told ET, “Everything between Megan and Machine Gun Kelly has been great lately. They’re in a really good place in their relationship and have worked to get things back on track.”
They added, “They are fully back together and enjoying it. They are talking about their future plans and about moving forward with their engagement and wedding planning.”
On Halloween weekend, they were seen at the annual Casamigos costume party in a couple’s costume, playing iconic characters from Kill Bill: Volume 1, Quentin Tarantino’s 2003 hit film.
Fox dressed as the assassin Gogo Yubari, originally played by actress Chiaki Kuriyama. MGK was the movie’s “Bride” character, played by Uma Thurman.
Aimée Lutkin is the weekend editor at ELLE.com. Her writing has appeared in Jezebel, Glamour, Marie Claire and more. Her first book, The Lonely Hunter, will be released by Dial Press in February 2022.